I should feel quite sorry for Justin Bieber, but given that he made more money last year than I’ll have made in a lifetime, I’m not too sympathetic. But I’m not ashamed to admit, that having been forced to watch his movie on a flight from Dubai to Seoul, I actually think he’s got some talent.
With all the ‘hate crime’ initiatives on both sides of the Atlantic, and the varied policies to tackle homophobia in schools and society at large, some consider homophobic taunting something of the past but unfortunately, it’s alive and kicking.
While millions of youngsters are bitten by Bieber fever, an equally as large a contingent consider him everything from effeminate to lesbian. What is most alarming is not just that the Bieber-hater vitriol is predominantly homophobic, but that it is masked and tolerated as jealously or simply a dislike for a particular kind of music. Somehow, it seems acceptable to slag-off Bieber’s masculinity, minimalise the size of his penis or even claim he doesn’t have one, and then call him ‘gay.’ Homophobes are expert at labeling someone ‘gay’ and then, when accused of being homophobic, hide behind the ‘ambiguity’ of the ‘gay’ slur claiming that it has nothing to do with sexuality and simply means ‘bad’ or ‘uncool.’ If Justin Bieber was a normal school kid being taunted there would be no mistaking the nature of the abuse to which he is subject and schools, colleges and workplaces would have an array of policies to deal with what is at the least bullying and at the extreme, a homophobic hate crime.
Currently, in the UK, if you are assaulted for no apparent reason, you can expect the police to respond to your phone-call within several weeks. However, if you claim the assault was ‘hate crime’ orientated, you can expect a visit within minutes. A young student who arrived at my house with friends suffering a broken rib and broken tooth waited two weeks for the police to visit and take details. The same week, they responded within fifteen minutes of my reporting being called a ‘fag’ by two workmen as I entered an LGBT office on business.
What is interesting about the vitriol of Bieber-haters is that they are most likely to slander K-Pop with exactly the same kind of language; Bieber and K-pop, more specifically boy band K-pop, are, lame, effeminate, ‘gay’ and poncy. Indeed, K-pop is often a greater target for homophobic ridicule because Westerners construe male to male ‘skinship’ as signifier of ‘homosexuality.’ For many of us dumb-ass Westerners, males have to be beating the fuck out of each other, pissed senseless or hyper aggressive in order to way-lay any accusation of being anything but 100% heterosexual. So great is the pressure on males to maintain a hyper-hetero appearance that it is both a major part of their identity and a full time pursuit. Conversely, there is no mistaking that if Bieber were a Korean, he’d most certainly fit the category ‘pretty boy’ or ‘flower boy’ – neither of which would be any kind slur on his masculinity.
Now, I have to admit, I too have made jokes about K-pop in classes. I quite often pretend to hear, ‘K-pop’ as ‘gay-pop’ and my students think it’s quite funny when I do so. However, my defense is that I absolutely prefer the Korean version of ‘masculinity’ to macho-western masculinity and infinitely prefer it to the hideous kind of rap typified by Beenie Man and Elephantman which is both homophobic and misogynistic. Some versions of rap, most notably ‘gansta,’ have to be among the most revolting forms of cultural expression and are a sad indictment not just on the culture spawning such hatred, but also on the hordes of people who laud such trash and help give it credibility.
When I do make a joke about K-pop, notably that is is ‘gay-pop,’ it is to open a dialogue about such cultural differences and to draw my students attention to the more repugnant and unpleasant aspects of Western society, the pox, violence, teenage pregnancy, anti-intellectualism and general moral and social degeneracy, and of course, the particular kind of unpleasant masculinity, all of which get lost in the allure of Hollywood, celebrity fetishism and the general uncritical obsession many Koreans have with the USA and Western culture in general.
©Bathhouse Ballads – 努江虎 – 노강호 2012 Creative Commons Licence.